A mixture of cameras with handhelds, a jib, conventional box lens peds and remote Furio dollys. We deployed our mobile audio stageboxes which provides over a hundred audio channels across the primary and secondary discrete audio networks for ultimate reliability. Timecode from ProTools was used to tie the audio with lighting and laser displays throughout the concert and custom communication groups linked Follow Spots, pyrotechnic team and sound engineers. As well as recording isolated feeds of all the cameras we multitracked all the audio separately for tweaks in post production. The event is run as a live gig so it was critical to get everything spot on for rehearsal and no need to retake!